Choosing the right timber is crucial for the instrument. For me as an instrument-maker, using wood cut at the right time and allowed to dry naturally is a constant source of delight.
Every single part of each new instrument is made by us in our workshop. This guarantees that the case, soundboard and keyboard of each instrument are a perfect match.
I welcome suggestions from my clients regarding any alterations they may require. Aspects such as range, transposition, profiling, colouring and the number of legs are all finalised before production begins.
1984 – 1986 Apprentice joiner and cabinetmaker
1986 – 1988 Apprentice harpsichord-builder under Renate Ammer in Leipzig
1989 Opened own workshop building harpsichords
1990 Matthias Arens joins the workshopChoosing the right timber is crucial for the instrument. For me as an instrument-maker, using wood cut at the right time and allowed to dry naturally is a constant source of delight.
Every single part of each new instrument is made by us in our workshop. This guarantees that the case, soundboard and keyboard of each instrument are a perfect match.
I welcome suggestions from my clients regarding any alterations they may require. Aspects such as range, transposition, profiling, colouring and the number of legs are all finalised before production begins.
1984 – 1986 Apprentice joiner and cabinetmaker
1986 – 1988 Apprentice harpsichord-builder under Renate Ammer in Leipzig
1989 Opened own workshop building harpsichords
1990 Matthias Arens joins the workshop